Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).
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2025-02-24 | LW1442 - The Turning Pointt It's common — perhaps universal — that artists who persevere long enough will eventually uncover some doubt about their work. Their heartstrings begin to tug them away from the work they feel is expected from them and inste... |
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2025-02-24 | HT2178 - Constantly Changing, Constantly the Same Equipment, technique, methods of distribution have been changing at breakneck speed during my entire photographic life. As photographers, we need to be incredibly flexible and adaptable to the changing... |
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2025-02-23 | HT2177 - The Hook Novelist often refer to an important aspect of their craft as the “hook.” By this they mean an element of the story that holds it all together and that particularly captures the reader. The same idea exists in project oriented photog... |
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2025-02-22 | HT2176 - Take a Risk Far too many photographers bury their creativity under a shroud of acceptance. Instead of making personal work that comes from their heart, they make images that they hope will earn applause and accolades. Artmaking can &#8212... |
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2025-02-21 | HT2175 - The Unknown Image It's a fairly common experience that when I upload images from my camera after an extensive shoot, I will frequently find images I have no memory whatsoever of having taken. I've learned, over the years, to pay a special att... |
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2025-02-20 | HT2174 - Processing Time What percentage of processing time is spend exploring aesthetic alternatives versus just getting your vision manifest by processing steps? To me, one of the most fascinating aspects of digital processing is how it opens the do... |
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2025-02-19 | HT2173 - Pens, Pencils, and Signing Your Prints Here's a topic I'll bet 99% of photographers have not thought much about. What instrument do you use to sign your prints? Pen? Pencil? Does it make a difference? Actually, I think it does. |
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2025-02-18 | HT2172 - A Personalized Colophon I recently received a lovely email from someone who had purchased one of my chapbooks. He wasn't expecting a personalized colophon which, truth be told, is one of the reasons why I do so. A personalized colophon ads to... |
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2025-02-17 | HT2171 - Their Life Experience Everyone who looks at our images brings with them a suitcase full of their life experiences. I think it was Anias Nin who said, "We don't see things as they are, we see things as we are." We need to remember this when pe... |
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2025-02-17 | LW1441 - Sized for the Emotional Impact A prevalent and often repeated question is how big should we make our prints? Some say that's determined by the subject. Others propose that print size is determined by the market. For what it's worth, my though... |
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