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Audio guide for twenty two key works from the 2007 25th anniversary of the National Gallery of Australia exhibition'Ocean to Outback: Australian Landscape Painting 1850–1950' curated by National Gallery Director, Ron Radford AM and celebrates the rich history of landscape painting in Australia.
Date | Title & Description | Contributors |
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2007-09-21 | Elise Blumann painted Perth’s Swan River and the native melaleuca trees of the region many times. Escaping the Nazi regime that devastated much of Europe, German-born Blumann came to Perth with her husband and two children in 1938. Educated at the Berl... |
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2007-09-21 |
Tom ROBERTS, A Sunday afternoon [A Sunday afternoon picnic at Box Hill] c.1886 By 1882 a railway had been constructed between Melbourne and the township of Box Hill, and in 1885 Tom Roberts, Frederick McCubbin and Louis Abrahams first visited the area to paint. The artists set up camp on land owned by a local farmer and friend to... |
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2007-09-21 |
Eugene VON GUERARD, Ferntree Gully in the Dandenong Ranges 1857 For German-born artist Eugene von Guérard the Australian landscape represented a real, lived experience and a vehicle for evoking personal and contemplative ideas. His remarkable image of a fern-tree gully in the Dandenong Ranges, some 40 kilometres ea... |
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2007-09-21 |
Margaret PRESTON, Flying over the Shoalhaven River [Flying over the Shoalhaven] 1942 Margaret Preston was used to seeing the earth from the air. By 1942 the artist had visited Europe and North America, and had travelled extensively throughout much of Asia, the Pacific Islands, Central and South America and Australia. During her travels... |
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2007-09-21 | In 1934 Elioth Gruner made one of several visits to the Canberra region where he painted Murrumbidgee Ranges, Canberra. In 1928 Gruner had purchased a car, which gave him the means to travel throughout the countryside on painting trips. He first visite... |
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2007-09-21 | In Girl in forest, Mount Macedon Frederick McCubbin revisits a central theme in his oeuvre: the activities of children in the Australian bush. He had previously painted scenes of children lost in the bush – narratives of innocence and vulnerability wit... |
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2007-09-21 |
Arthur STREETON, The selector's hut (Whelan on the log) [The selector's hut] 1890 The selector’s hut (Whelan on the log) is an iconic image of the ‘pioneering spirit’ that underpinned Australian nationalist attitudes of the late nineteenth century. Although most Australians lived in coastal cities and towns, it was the bush that was... |
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2007-09-21 |
Sidney NOLAN, Inland Australia [Central Australian landscape] 1950 We leaned over in our seats and straining down, our foreheads pressed against the glass windows, found our own land and heard its voice alone. Cynthia Nolan 19621 Between 1947 and 1950 Sidney Nolan spent months travelling through remote areas of Austr... |
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2007-09-21 | Inspired by the South Australian copper-mining town, Wallaroo is an atmospheric and mysterious painting. Located on the Spencer Gulf coast, Jeffrey Smart visited Wallaroo in 1951 and made a number of watercolour studies of the town’s buildings, beach, ... |
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2007-09-21 | For almost three decades the landscape of the Flinders Ranges in South Australia provided inspiration for Hans Heysen. Known for his imagery of Australian gum trees, the artist was forty-nine when he first visited the Flinders Ranges. The scenery of th... |
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