DRAFT ZERO   /     DZ-45: Arguments of the Scene

Description

How can you dramatise your theme on a scene level? As part of their ongoing exploration of scene-work, Stu and Chas apply their earlier thinking on theme and character worldview to individual scenes. Can examining a scene from a thematic perspective impact the drama, conflict or stakes of the scene? How does your character’s conscious […]

Summary

How can you dramatise your theme on a scene level? As part of their ongoing exploration of scene-work, Stu and Chas apply their earlier thinking on theme and character worldview to individual scenes. Can examining a scene from a thematic perspective impact the drama, conflict or stakes of the scene? How does your character’s conscious […]

Subtitle
How can you dramatise your theme on a scene level? As part of their ongoing exploration of scene-work, Stu and Chas apply their earlier thinking on theme and character worldview to individual scenes. Can examining a scene from a thematic perspective im...
Duration
2:21:06
Publishing date
2017-10-27 05:13
Link
http://draft-zero.com/2017/dz-45/
Contributors
  DRAFT ZERO
author  
Enclosures
http://traffic.libsyn.com/draftzero/DZ-45.mp3
audio/mpeg

Shownotes

How can you dramatise your theme on a scene level?

As part of their ongoing exploration of scene-work, Stu and Chas apply their earlier thinking on theme and character worldview to individual scenes. Can examining a scene from a thematic perspective impact the drama, conflict or stakes of the scene? How does your character’s conscious and subconscious world views dramatise the overall theme of the work? How can an individual scene reflect the larger themes of the overall story? Do any of these questions or approaches lead to writing better scenes?

To this end, Stu and Chas examine particular scenes from works that have particularly apparent, strong and consistent themes; namely: FINDING NEMO, EX MACHINA, MANCHESTER BY THE SEA and the Netflix TV series GLOW.

… SPOILERS ABOUND!!

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

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