http://ancientartpodcast.org/91 In this excerpt from my lecture on the Art Institute's recent special exhibition Painting the Floating World: Ukiyo-e Masterpieces from the Weston Collection, I set the stage for what was Japan's Floating World culture during the Edo Period of the Tokugawa Shogunate, 1615-1868. We touch on the origin of the term, the cultural climate in which it rose the popularity, and how the floating world psyche was expressed in Japan's visual arts at the time. Image: Hishikawa Moronobu Flower-Viewing Party with Crest-Bearing Curtain, from the series Flower Viewing at Ueno Japanese, 1676–1689 Art Institute of Chicago, 1925.1689 Connect: Donate to the Ancient Art Podcast http://itunes.com/podcast?id=205535627 http://ancientartpodcast.org/feedback info@ancientartpodcast.org http://facebook.com/ancientartpodcast http://youtube.com/SCARABsolutions http://twitter.com/lucaslivingston
http://ancientartpodcast.org/91 In this excerpt from my lecture on the Art Institute's recent special exhibition Painting the Floating World: Ukiyo-e Masterpieces from the Weston Collection, I set the stage for what was Japan's Floating World culture during the Edo Period of the Tokugawa Shogunate, 1615-1868. We touch on the origin of the term, the cultural climate in which it rose the popularity, and how the floating world psyche was expressed in Japan's visual arts at the time. Image: Hishikawa Moronobu Flower-Viewing Party with Crest-Bearing Curtain, from the series Flower Viewing at Ueno Japanese, 1676–1689 Art Institute of Chicago, 1925.1689 Connect: Donate to the Ancient Art Podcast http://itunes.com/podcast?id=205535627 http://ancientartpodcast.org/feedback info@ancientartpodcast.org http://facebook.com/ancientartpodcast http://youtube.com/SCARABsolutions http://twitter.com/lucaslivingston