Ars Antigua Presents   /     Ars Antigua Presents: Summer Quarter 2013

Description

Based on the Greek myth of Orpheus and Eurydice, Claudio Monteverdi’s L’Orfeo has come down through history as one of the earliest operas to employ the full resources of the orchestra. Monteverdi’s use of polyphony, and especially his innovative orchestration, dazzled audiences at the 1607 Premiere. The original score called for about a dozen vocalists and over forty instrumentalists, including brass, winds, strings, harpsichord, organ, and percussion. In L’Orfeo Symphonia, we will hear some of the memorable tunes from that opera, performed on period strings and continuo. Claudio Monteverdi’s L’Orfeo Symphonia, as performed by the Baroque Ensemble of Brigham Young University-Idaho, under the direction of Robert Tueller. Video for L'Orfeo Symphonia Ars Antigua Presents promotes the work of early music students at the high school and college levels. If you know of an ensemble that represents this next generation of performers, let us know and they may be featured on our podcast. Podcast produced by Joshua Sauvageau [12'55"]

Summary

Based on the Greek myth of Orpheus and Eurydice, Claudio Monteverdi’s L’Orfeo has come down through history as one of the earliest operas to employ the full resources of the orchestra. Monteverdi’s use of polyphony, and especially his innovative orchestration, dazzled audiences at the 1607 Premiere. The original score called for about a dozen vocalists … Continue reading Ars Antigua Presents: Summer Quarter 2013

Subtitle
Based on the Greek myth of Orpheus and Eurydice, Claudio Monteverdi’s L’Orfeo has come down through history as one of the earliest operas to employ the full resources of the orchestra. Monteverdi’s use of polyphony,
Duration
12:53
Publishing date
2013-07-25 02:35
Link
http://feedproxy.google.com/~r/arsantiguapresents/~3/QOoPLAbsMm4/
Contributors
  Ars Antigua Presents
author  
Enclosures
http://feedproxy.google.com/~r/arsantiguapresents/~5/MRBFA_8h_FI/AAPSummer2013.mp3
audio/mpeg

Shownotes

Based on the Greek myth of Orpheus and Eurydice, Claudio Monteverdi’s L’Orfeo has come down through history as one of the earliest operas to employ the full resources of the orchestra. Monteverdi’s use of polyphony, and especially his innovative orchestration, dazzled audiences at the 1607 Premiere. The original score called for about a dozen vocalists and over forty instrumentalists, including brass, winds, strings, harpsichord, organ, and percussion. In L’Orfeo Symphonia, we will hear some of the memorable tunes from that opera, performed on period strings and continuo.

Claudio Monteverdi’s L’Orfeo Symphonia, as performed by the Baroque Ensemble of Brigham Young University-Idaho, under the direction of Robert Tueller.

Video for L’Orfeo Symphonia

Ars Antigua Presents promotes the work of early music students at the high school and college levels. If you know of an ensemble that represents this next generation of performers, let us know and they may be featured on our podcast.

Podcast produced by Joshua Sauvageau

[12’55”]