The New Yorker Radio Hour   /     From the Archive: St. Vincent’s Seduction

Summary

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.”  They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

Subtitle
Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There
Duration
00:26:41
Publishing date
2024-12-18 19:40
Link
https://www.wnycstudios.org/podcasts/tnyradiohour
Contributors
  WNYC Studios and The New Yorker
author  
Enclosures
https://mgln.ai/e/14/tracking.swap.fm/track/uJwtcKQUPuqBQPfusm59/pdrl.fm/7a3b46/pdst.fm/e/dts.podtrac.com/pts/redirect.mp3/waaa.wnyc.org/82098f2c-a672-49b6-8a05-b8245aec3dbc/episodes/ab54c5a0-fda1-4775-966c-07337ed3265f/audio/128/default.mp3?aid=rss_fee
audio/mpeg

Shownotes

Annie Clark, known as St. Vincent, launched her career as a guitar virtuoso—a real shredder—in indie rock, playing alongside artists like Sufjan Stevens. As a bandleader, she’s moved away from the explosive solos, telling David Remnick, “There’s a certain amount of guitar playing that is about pride, that isn’t about the song. . . . I’m not that interested in guitar being a means of poorly covered-up pride.” Her songs are dense, challenging, and not always easy, but catchy and seductive. Remnick caught up with Clark before the launch of her new album, “MASSEDUCTION.”  They talked about the clarity of purpose she needed in order to “clear a path” to write the “glamorously sad songs” she’s become known for.

This segment originally aired on October 13, 2017.