In Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford UP, 2024), Nadira Khatun explores the contentious Muslim identity in contemporary India as reflected in recent Bollywood films. She argues that the approach towards Muslim identity in Bollywood films are influenced by the changing political landscape from Nehruvian India to the rise of BJP, which views Hindus and Muslims as separate religious communities instead of recognizing the syncretic culture manifesting in Hindu-Muslim unity. By analyzing the representation of Muslims in various films like Roja, Fanna, Mission Kashmir, Black Friday, New York, A Wednesday, Sarfarosh, she shows that the militant portrayal of Muslims is good for commercial success as opposed to a secular image. Overall, the study problematizes Muslim identity formation in Bollywood against the backdrop of nationalism and communalism in India. Author: Dr. Nadira Khatun, Associate Professor of Communications, Xavier University, India Host: Dr. Nilanjana Paul, Associate Professor of History, Department of History, The University of Texas Rio Grande Valley. She is the author of Bengal Muslims and Colonial Education, 1854-1947: A Study of Curriculum, Educational Institutions and Communal Politics, Routledge, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
In Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford UP, 2024), Nadira Khatun explores the contentious Muslim identity in contemporary India as reflected in recent Bollywood films. She argues that the approach towards Muslim identity in Bollywood films are influenced by the changing political landscape from Nehruvian India to the rise of BJP, which views Hindus and Muslims as separate religious communities instead of recognizing the syncretic culture manifesting in Hindu-Muslim unity. By analyzing the representation of Muslims in various films like Roja, Fanna, Mission Kashmir, Black Friday, New York, A Wednesday, Sarfarosh, she shows that the militant portrayal of Muslims is good for commercial success as opposed to a secular image. Overall, the study problematizes Muslim identity formation in Bollywood against the backdrop of nationalism and communalism in India.
Author: Dr. Nadira Khatun, Associate Professor of Communications, Xavier University, India
Host: Dr. Nilanjana Paul, Associate Professor of History, Department of History, The University of Texas Rio Grande Valley. She is the author of Bengal Muslims and Colonial Education, 1854-1947: A Study of Curriculum, Educational Institutions and Communal Politics, Routledge, 2022.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies