Today, we’re traveling back to 1997 for a conversation with one of the most distinctive and rebellious filmmakers of the indie film scene—Greg Araki. By the time Nowhere hit theaters in ‘97, Araki had already made a name for himself with his bold, surreal, and unapologetically queer storytelling. As the final entry in his “Teen Apocalypse Trilogy,” Nowhere pushed boundaries with its wild mix of sex, drugs, existential dread, and alien abductions—all wrapped in the signature Araki aesthetic.